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Then I used roughly the same set up to take this shot of something slightly healthier, a bit of bread.
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So far in my off camera flash adventure I've only really focussed on getting good results with soft light so it was interesting to use hard light here. Hard light gives hard shadows and is suited to subjects where you want to emphasize texture.
Set up
The set up was two snooted flashes from behind (one each side), a background light (with a deep blue filter) and a bare strobe high and in front of the subject. I also used 2 mirrors to reflect the snooted flashes back at the bottom and sides of the cookie these basically lit the cream. Originally I had a white background about 50cm behind the biscuit and lit it with the blue flash but in later shots I wanted a more subtle blue so I used a piece of white paper and back lit it with the blue strobe. For the bread I moved the front flash lower and to the other side of the camera and I took out the mirrors. Also for the bread I didn't use the background light and used a held held, crumpled, peice of blue cloth as the background.
Post process
I cloned out any sign of the pin that held up the cookie/bread then I applied a few passes of the increased local contract trick in photoshop. In some shots I dropped the overall saturation and lightened the cyan channel to bleach the background.
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